FINE ART Supports the Dazzling Presentation of the 33rd China TV Golden Eagle Awards Ceremony
On the evening of September 29, a grand gathering that brought together the essence of television art and the spirit of the times — the Closing Ceremony Gala of the 16th China Golden Eagle TV Art Festival and the 33rd China TV Golden Eagle Awards Ceremony, jointly hosted by the China Federation of Literary and Art Circles, the Hunan Provincial People's Government, and the China Television Artists Association — was broadcast simultaneously on Hunan Satellite TV and Mango TV. He Jiong and Shen Mengchen co-hosted, with Ma Li joining as a special guest. Yu Hewei and Song Jia won Best Actor and Best Actress respectively, while Zhu Yawen and Mei Ting won Best Supporting Actor and Best Supporting Actress. *Tree of Life* took home Best TV Series and Best Screenplay.



The ceremony's overall stage design concept was "The Eye of the Golden Eagle." Feathers transformed into waves, gathering the glimmers and dreams of television professionals. "The Eye of the Golden Eagle" connected the virtual and the real, gazing into the dream-making world within the camera lens. On stage, the shining golden eagle wings became surging waves; behind the scenes, the rear of the stage became an exclusive "viewfinder" for television professionals, where the virtual and the real intertwined and light and shadow flowed. The entire ceremony adopted an innovative format of narrative-style award presentations and scenographic award-giving, completely breaking the inherent model of traditional award ceremonies.




In this grand ceremony where visuals and honors intertwined, FINE ART injected a dynamic soul into the "Golden Eagle Waves" with stage machinery and lighting technology. At the top of the stage, FD W5010A dual-line winches carried FINE 6019 PIXIE IP moving head lights, perfectly matching "The Eye of the Golden Eagle" with a wave-shaped layout. The FD W5010A has a power output of up to 2500W and supports Ethernet communication protocols. All parameters can be precisely controlled via the console's DMX, with the linear position error of the suspension points controlled within 1mm. The two steel wire ropes ensure that the fixtures do not rotate and run smoothly during lifting. At every award highlight moment, the dual-line winches move slowly, and the fixtures flicker with the rise and fall of the waves, like a golden eagle spreading its wings and skimming over a sea of light and shadow, freezing every glorious moment into eternity.






Working in tandem with the winches, the FD Hoistar multifunctional human-machine interaction stage machinery control console is built on a Linux system architecture and an Intel i5 processor. Its dual 17.3-inch LCD touchscreens, together with backlit motorized faders and photoelectric encoders, provide smooth and fluid interaction. Multiple software and hardware safety guarantees — including DMP foot pedals, local emergency stop, built-in UPS, user permission settings, facial recognition, operational parameter safety warnings, closed-loop control, and 3D visualization monitoring — make every lift of the dual-line winches rock-solid. Tabular programming, object-based programming, offline CUE programming, 3D asset and CAD import, and 3D graphical control effortlessly manage the complex scheduling of multiple award rounds throughout the ceremony.




More than a hundred FINE 6019 PIXIE IP units became the most dynamic brushstrokes of light and shadow at the top of the stage. As high-brightness, high-performance wash and beam fixtures, their 19 x 60W light sources are paired with a 20:1 zoom optical system, presenting a unique effect ranging from a sharp 3.2° beam to a wide 65° wash. When the golden eagle wings transformed into surging waves and the entire venue was immersed in a warm atmosphere paying tribute to television professionals, the fixtures spread layer upon layer of light and shadow ripples with uniform, soft color mixing, intertwining with "The Eye of the Golden Eagle" in virtual and real dimensions, allowing the glimmers of every television worker to converge into a surging tide of the times.




As "The Eye of the Golden Eagle" gazes inside and outside the lens, and as feathers transform into waves merging into a sea of light and shadow, FINE ART, with the precision of stage machinery and the agility of lighting technology, not only illuminates the contemporary spirit of Chinese television professionals striving forward in relay, but also reflects the dedication and love for the dream-making world behind every glimmer of light.












