Stage Lighting Projects & Solutions by FINE ART

On June 4 and 5, the newly created historical Peking Opera The Upright Official Li Dianlin, produced by Shanxi Peking Opera Theatre, was staged for two consecutive evenings at the Ding Guoxian Grand Theatre. Using the art of Peking opera, the production vividly tells the moving story of Li Dianlin, a late‑Qing official from Shanxi who risked his life to remonstrate with the emperor and cared deeply for the people, offering the audience a theatrical feast rich in ideological depth and artistic excellence.

The play was selected for the Shanxi Art Fund's 2025 Stage Art Creation and Production Project. The script was written by renowned screenwriter Jing Yanbin, with direction by Ma Xiao, a faculty member of the Directing Department at the National Academy of Chinese Theatre Arts, and vocal score design by the celebrated opera musician Zhu Shaoyu. The leading role was performed by Sheng Zhiqiang, a renowned laosheng (old male role) master of the Xi school, joined by the acclaimed huulian (painted‑face) performer Zhang Wei and the Meipai qingyi (female lead) master Shan Na. The play focuses on the rampant corruption of the late‑Qing era’s donation‑based official appointment system. It tells how Li Dianlin, holding a high position in the Ministry of Personnel, witnessed the devastating effects of selling official posts on the people and resolutely risked his own safety to boldly remonstrate against the abolition of the two‑thousand‑year‑old system. The drama interweaves Li’s conflicts with his junior fellow Wang Rui, Empress Dowager Cixi, and his wife Zhou, creating a three‑dimensional portrait of an upright official who is both firm and compassionate. As the first original work to bring Li Dianlin to the theatrical stage, the play uses historical narrative to reflect on clean governance and the greater good of the nation, drawing lessons from the past to promote integrity, righteousness, and steadfastness in our own time.

In this Peking opera feast of clean‑official culture, multiple professional lighting fixtures from FINE ART provided outstanding light efficiency, passionately supporting the unyielding spirit of the upright official. The FINE 550 BSW PLUS three‑in‑one light, with its large 169mm output lens, creates a robust beam. Its rich color system – CMY, CTO, and an independent color wheel – interweaves with an eight‑facet prism and a twenty‑four‑facet prism, combined with a dynamic effect wheel, to depict the solemn dignity of the remonstrance in the imperial hall and the inner turmoil of the character. The FINE 1400 PERF, with its unique optical design, achieves uniform light distribution and allows frosting via focus adjustment without changing the beam size or luminous flux. Equipped with a full framing system rotatable 90°, it sharply frames Li Dianlin’s decisive posture as he dares to speak truth to power.

The FINE 4019 PIXIE PLUS two‑in‑one beam and wash light, using high‑quality RGBW four‑in‑one LEDs as its light source with individually controllable beads, delivers a maximum output of 900W and an illuminance of 29,500 lux at 6 meters. With a wide linear zoom range of 4° to 60°, uniform color mixing, and 0–100% smooth linear dimming, it effortlessly creates the layered atmosphere from late‑night contemplation to fierce debate in court. The FINE 400CL7 professional LED cyclorama/floor light employs a 7‑color full‑spectrum optical design with Ra and R9 both above 90, and theatre‑grade 16‑bit high‑precision dimming, providing delicate and precise coverage that illuminates the faces of the characters, revealing every trace of compassion and determination of the upright official.

As the final notes of Peking opera fade and the spirit of integrity lingers, FINE ART uses light as a brush – not only illuminating the iron‑will of an official who risked death to speak the truth, but also reflecting the timeless power of honesty, righteousness, and adherence to principle that transcends ancient and modern times. Where light and shadow reach, the clean governance and national duty are transformed on this stage into an enduring echo of the ages.

On the evening of June 1, 2026, the Jingyun Grand Theatre of Hubei Provincial Peking Opera Theatre resounded with thunderous applause and the resonant melodies of Peking opera as the large‑scale original work Hanyang Made successfully premiered. As a key production selected for the Ministry of Culture and Tourism's "2023–2025 Stage Art Creation Action Plan" and multiple key support projects in Hubei Province, the play uses the development history of the "Hanyang‑made" rifle as its historical anchor, vividly telling the story of China's modern industry – its arduous pioneering and determined pursuit of self‑strengthening – resonating deeply with the audience.

Hanyang Made takes as its main thread the founding of the Hubei Arsenal by Zhang Zhidong, the late‑Qing Viceroy of Huguang, reflecting the "birth history of a rifle" as a mirror of a nation's century‑long journey from awakening in peril to forging ahead through innovation. The script was co‑written by renowned playwright Zhao Ruitai and young screenwriter Pan Yanzhu, directed by acclaimed director Guo Xiaonan, and led by National First‑Class Actor Yin Zhangxu. With solid skills from three generations of performers, both in singing and acrobatics, the production showcases the vibrant, well‑inherited artistry of the Hubei Provincial Peking Opera Theatre. Unlike many historical dramas, the play does not stop at recounting historical facts. Instead, it focuses on the spiritual struggles and unyielding breakthroughs of late‑Qing officials and modern industrial workers under technological blockade and internal and external pressures, elevating the "chase for material progress" to a "spiritual awakening" that resonates across time with today's spirit of independent innovation and technological self‑reliance.

The stage aesthetic of the play blends the suggestive and minimalist traditions of Peking opera with contemporary visual expression. Multi‑layered, symbolic scenery combined with multimedia projections breaks the physical limits of the traditional stage, interweaving Zhang Zhidong's late‑night anxieties over establishing the arsenal with the oppressive weight of court pressures within the same dramatic context. Through the flow of light and shadow, the audience witnesses the dislocation between the individual and the era, evoking profound empathy for historical fate.

In the stage presentation of this national industrial epic, multiple professional lighting fixtures from FINE ART provided outstanding light efficiency, passionately supporting the century‑long journey of self‑strengthening. The FINE 1700CF BSWF four‑in‑one framing light has an effective range of up to 100 meters, with Ra and R9 both exceeding 95, delivering stunning light quality that accurately reproduces the rich textures of late‑Qing costumes and the cold steel of the arsenal. Its patented cooling system maintains full‑power operation at room temperature without derating, with noise below 45dB, preserving the theater's immersive atmosphere with extreme silence.

The FINE 4019 WASH PLUS high‑power moving head wash light features a new optical design for uniform color mixing and soft effects. At narrow angles, it achieves 30,000 lux at 6 meters, with a wide zoom range of 4° to 60° to meet diverse lighting needs from solitary contemplation to ensemble drama. Its smooth, delicate dimming and flicker‑free start‑up at low brightness perfectly align with the aesthetic requirements of Peking opera. The FINE 1700L WASH PERF wash and framing light is equipped with a latest‑generation high‑efficiency light engine (Ra ≥ 90) with a total luminous flux output exceeding 50,000 lm. It incorporates a second‑generation color standard for pure colors and a wide gamut, with CMY infinite color mixing and CTO linear color temperature adjustment to paint the vastness of the era. A framing system rotatable ±90° clearly defines every impactful moment of historical decision‑making.

As the prolonged applause faded, FINE ART used light as a brush – not only illuminating the arduous pioneering journey of China's modern industry, but also reflecting the unyielding spine of the Chinese nation striving for survival and development in desperate times. Where light and shadow reach, the metallic echoes and spirit of self‑strengthening from the hundred‑year history of Hanyang transform on this stage into a timeless tribute to the ages.

On the evening of May 21, 2026, coinciding with the seventh anniversary of the Xi'an Warrior Flags Acrobatic Troupe, the large-scale acrobatics drama The Art of War – a National Arts Fund 2024 Stage Creation Grant project – officially premiered at the Warrior Flags Grand Theatre in Dianchi Houhai, Kunming. Combining breathtaking acrobatic vocabulary with profound military philosophy, the production delivered a deeply moving audio-visual feast to the audience of the Spring City.

Using stage montage techniques, the drama interweaves the personal fate of Sun Wu (Sun Tzu) with the turbulent events of the Spring and Autumn period. From first perceiving the art of war in a family of generals, to forming a deep friendship with Wu Zixu and entering the state of Wu together; from the brilliant strategy of defeating Chu with 30,000 troops at the Battle of Boju, to witnessing the devastation of war and resolutely retiring, finally writing the thirteen chapters of the timeless military classic. The opening scene of a ruined battlefield is both a true portrayal of the chaotic Spring and Autumn era and the starting point of Sun Wu’s lifelong exploration of the art of war. The concluding scene of a desolate hillside with sparse woods and quietly resting bamboo slips represents not only the end of his life but also the beginning of The Art of War being handed down for millennia. Infusing poetic emotion into the solid historical framework, the drama presents a warm, passionate, struggling, and persistent image of the Sage of War.

The audience applauded thunderously. High-level acrobatic skills such as ballet on the shoulder, bouncing on bars, throwing and catching, soft contortion, and aerial straps vividly depicted the clashing metal-and-iron chaos of the Spring and Autumn period. The “Way” of military strategy and the “emotion” of human nature were seamlessly fused, eliciting exclamations of “stunning.”

In this stage narrative interweaving strength and beauty, multiple professional lighting fixtures from FINE ART used precise light and shadow to infuse soul into the contemporary interpretation of the millennial military classic. The FINE 1400LH BSWF four-in-one framing light, equipped with a 1400W LED light engine (Ra and R9 both above 90), delivers a maximum luminous flux of over 40,000 lm. Within a zoom range of 6° to 50°, it delicately reproduces the desolation of battlefield ruins and the warm texture of bamboo-slip calligraphy, sharply framing Sun Wu’s solitary figure writing the classic and the grand spectacle of the Battle of Boju.

The FINE 4019 PIXIE PLUS two-in-one beam and wash light, using high-quality RGBW four-in-one LEDs as its light source, achieves an illuminance of 29,500 lux at 6 meters. With a wide linear zoom range of 4° to 60° and uniform color mixing, it effortlessly creates the changing atmosphere from youthful enlightenment to the devastation of war. The FINE 608 BATTEN moving head bar light, with 8 x 60W RGBW four-in-one sources and a 5°–50° zoom, produces a full, non‑crossing beam at narrow angles, outlining the solemn formations of troops on the battlefield. The FINE 550 BSW PLUS three-in-one light, with its Ø169mm output lens, creates a robust beam. Its CMY + CTO + flow color wheel interplay injects the sharpness of metal and the intense background of war into the stage.

From May 23 to 26, The Art of War will continue its run at the Warrior Flags Grand Theatre in Dianchi Houhai, Kunming. FINE ART is honored to witness, through light and shadow, this dialogue across millennia on military wisdom – as the bamboo slips rest quietly and the smoke of war dissipates, the wisdom and spirit of the Sage of War will never end on this stage.

On the evening of May 14, at the Guangdong Art Theatre, the original fantasy musical Serialized · 1978, co-produced by Southern Song and Dance Troupe and Mutian Juhai Culture Media, had its premiere, delivering an audio-visual feast about dreams and perseverance through a time-spanning,narrative.

The play adopts a dual storyline, focusing on An Ning, a contemporary comic artist trapped in creative difficulties. She finds inspiration in a mysterious diary from the 1970s. The diary’s words, full of hope for the future, give birth to a parallel dimension within the comic Serialized · 1978: a bold and sincere young man named Sui Sheng breaks free from social constraints and joins companions on a treasure-hunting adventure to pursue his ideals. When the pressure of reality forces An Ning to alter the story she is drawing, the fate of the comic characters also shifts. The interweaving and collision of reality and fiction, through layers of dramatic climax, reflect a of the choices, struggles and perseverance of young people in the early days of reform and opening up.

In this time-spanning stage narrative, multiple professional lighting fixtures from FINE ART, with their outstanding light efficiency, painted the light and shadow backdrop for both the real world and the comic world. The FINE 1680LH BSWF four‑in‑one framing light served as the workhorse, delivering a maximum output of 40,000 lm with excellent light quality (Ra ≥ 95, R9 ≥ 90), accurately reproducing the understated tones of the local social landscape in 1978 and the delicate textures of characters’ expressions.

The FINE 4019 WASH high-power LED moving head wash light, with its powerful output (30,000 lux at 6 meters at narrow angle) and wide zoom range from 4° to 60°, met diverse lighting needs from spotlight soliloquies to lively ensemble scenes. Its smooth and delicate dimming, with flicker-free start-up at low brightness, perfectly matched the emotional ebb and flow of the musical. At the forefront of the stage, the FINE 150 FT color professional footlight, using its R, G, B, L four-color system to produce color temperatures from 2500K to 10,000K (Ra and R9 both above 90), featured an asymmetrical dual-row independently controlled light design. With soft, even coverage, it illuminated the faces of the characters, reflecting the determined expressions of every ordinary dream chaser.

As the strokes of comics and the light and shadow of the stage intertwined, FINE ART used light as a brush – not only illuminating a comic artist’s journey of rediscovering her belief, but also reflecting the undying passion and original aspiration of every ordinary person in a great era.

During the May Day holiday, the upgraded performances of the local original drama Qin Zheng (The Qin Zither) concluded successfully at Xianyang Grand Theatre within the Xianyang Civic Cultural Center. Jointly planned by the Publicity Department of the CPC Xianyang Municipal Committee, the Xianyang Bureau of Culture and Tourism, and meticulously produced by Xianyang Cultural Tourism Development Group and Xianyang Performing Arts Co., Ltd., the play was offered free of charge to citizens and tourists, allowing guests from the literary and artistic circles as well as the general public to enjoy this audio-visual feast of Qin culture.

 

Qin Zheng takes the cultural symbol of Xianyang, the Qin zither, as its artistic thread, and follows historical figures such as Qin Shi Huang and Meng Tian to tell the epic story of the Qin dynasty’s northern campaigns against the Xiongnu, the construction of the Great Wall, and the integration of agricultural and nomadic civilizations. The grand and atmospheric stage design recreates the vast desolation of the Qin borderlands. The primitive and heavy costumes perfectly complement the powerful and stirring music. The actors deliver superb performances, bringing to life vivid characters such as the ambitious Qin Shi Huang and the loyal and courageous Meng Tian, reviving on stage the sense of national duty and historical integrity from over two thousand years ago. The production boasts a top‑tier creative team: art director Zou Jianhong, chief director Huang Dingshan, screenwriter Zhu Hai, associate director He Tao, stage designer Zhou Danlin, lighting designer Zhou Pingping, and others. From script creation and stage presentation to performance interpretation, every detail has been meticulously refined through full‑process intensive rehearsals, ultimately achieving a stage work of high ideological, artistic, and entertainment value.

 

In the visual presentation of this Qin dynasty epic, multiple professional lighting fixtures from FINE ART worked in concert, using precise light and shadow to sculpt the spirit of Qin culture. The FINE 1700ZLB BSWF four‑in‑one moving head light features a custom 1500W module and incorporates a second‑generation color standard, delivering pure colors and a wide color gamut, finely reproducing the heavy textures of Qin dynasty costumes and the solemn atmosphere of border‑land beacon fires. Its full framing system, rotatable ±90°, produces sharp, distortion‑free cut and framing, precisely capturing the moments of Qin Shi Hao wielding his power and Meng Tian standing with his sword.

 

The FINE 4019 PIXIE PLUS two‑in‑one beam and wash light has a maximum output power of 900W, an illuminance of 29,500 lux at 6 meters, a wide linear zoom range of 4° to 60°, and smooth 0–100% linear dimming. Its uniform color mixing effortlessly creates the multi‑layered atmosphere from the majesty of the court to the heat of the battlefield. The FINE 470 BSW three‑in‑one light, with its large 174mm output lens, achieves a minimum beam angle of just 2.8° in beam mode. The beam is sharp and solid. Combined with CMY infinite color mixing and linear CTO color temperature adjustment, it forges the sharpness of iron armor when war drums thunder and weaves the tenderness of home and country when the Qin zither plays softly.

 

It is worth noting that taking the creation and rehearsal of Qin Zheng as an opportunity, Xianyang formally established the Xianyang Performing Arts Drama Troupe, filling the gap in local professional theatrical performance groups and launching a new model of cultural‑tourism integration that combines “repertoire creation – team building – regular operation.” FINE ART is honored to have participated with light and shadow, witnessing a city’s contemporary practice of continuing the root of Qin culture through artistic innovation and polishing its urban image with high‑quality productions.

On the evening of April 22, on the nearly 10,000-square-meter super-large performance ground of the Inner Mongolia Ethnic Minority Cultural and Sports Activity Center, the first performance of the 2026 season of the large-scale equestrian panoramic epic Ode to the Horse was staged with stunning impact. As a groundbreaking resident production that fills the gap in the region's real-scene equestrian performances, the show has become a phenomenon-level calling card for the deep integration of culture and tourism in Inner Mongolia, thanks to its grand outdoor real-scene scale and immersive viewing experience.

The whole play follows the life of a herdsman's son. From "The Heavenly Horse Descends" to "Ode to the Horse," a five-chapter narrative unfolds the deep journey of man and horse meeting, accompanying each other, and living and dying together. The performance combines equestrian skills, Mongolian song, dance, music, acrobatics and other artistic elements, together with high-definition projection, panoramic LED and high-tech sound, light and electricity effects, creating a visual wonder of "the sky as the dome and the earth as the stage." Thousands of horses gallop through the mist; difficult stunts such as mid-air somersaults on horseback and pyramid formations on horseback are breathtakingly spectacular. Long songs and khoomei pierce the night sky, telling the deep bond between grassland children and their horses throughout their lives, vividly displaying the spiritual character of the Mongolian horse: resilience, courage, loyalty, benevolence and restraint.

In this immersive feast of thousands of horses galloping on the grassland, FINE ART's FINE 6019 PIXIE IP professional high-power LED all-weather moving head wash light provided full support throughout, infusing the grassland legend with soul through outstanding light efficiency.

The new optical system of the FINE 6019 PIXIE IP balances both color mixing uniformity and soft effects. With a unique zoom range from a powerful 3.2° beam to a wide 65° soft wash, it can focus closely on the affectionate gaze between rider and horse, and also bathe the vast canvas of beacon fires and solitary smoke in the desert in its light, meeting the diverse lighting needs of the nearly 10,000-square-meter stage.

The wash effect of the FINE 6019 PIXIE IP is particularly outstanding: azure blue as if washed, spreading the deep stillness of the night sky over the Chile River grassland, echoing the distant notes of Mongolian long songs; jade green like lush grass, flowing across the boundless sea of grassland, reflecting the tender warmth of the horseback home; flame red igniting the solemn intensity of beacon fire and smoke of war, pushing the grand momentum of a thousand horses setting off on an expedition to a climax. In addition, its full-protection design provides seven major functions including smoke-resistance, UV-resistance, sand-and-dust-resistance, corrosion-resistance, and high/low temperature resistance. It requires no frequent cleaning or maintenance, operating maintenance-free, saving time, effort and trouble.

As the sound of horse hooves shakes the entire venue, FINE ART uses light as a brush – not only illuminating the warmth of the horseback home and the grandeur of the thousand-horse expedition, but also reflecting the unceasing contemporary spirit of the grassland children striving for self-renewal.

Recently, the new masterpiece The Cloud Knows the Mountain by Anhui Huangmei Opera Theater was performed at Anhui Grand Theatre. Amid the sea of clouds over Huangshan Mountain, a new melody of Huangmei opera about dreams and perseverance gently resounded.

The Cloud Knows the Mountain plants its story in the green mountains and mist, following the journey of a country girl named Ayun as she pursues her dream of building a garden. Together with her husband Ashan, she faces difficulties such as lack of funds and family misunderstanding. With the persistent spirit of "if there are no flowers before the steps, I will plant them; if there is no fruit in the garden, I will grow them," she creates a poetic "garden" out of ordinary life. Set in the core location of the "Cloud-Knowing" guesthouse, the landlady Ayun meets one guest after another, stepping into their hidden cares and concerns.

The play adopts a structure of non-stop scenes. While retaining the rustic and earthy character of Huangmei opera, it incorporates contemporary musical vocabulary and poetic stage aesthetics, allowing this ancient theatrical form to radiate a warm power that transcends generations. FINE ART deeply participated with multiple professional lighting fixtures, using precise light and shadow to shape and color this cloud-and-mountain dreamscape.

The FINE 1700LH BSWF four-in-one framing light served as the workhorse. With an effective range of up to 100 meters and excellent light quality (Ra and R9 both greater than 95), it delicately reproduced the layered haze of the Huangshan sea of clouds and the skin texture of the characters during dance movements. The combination of rotating gobo wheel, fixed gobo wheel, and dynamic effect wheel gradually unfolded the poetic picture of the changing seasons in Ayun's guesthouse.

The FINE 1700L WASH PERF wash and framing light, with a luminous flux output of over 50,000 lm, combined with CMY infinite color mixing and CTO linear color temperature adjustment, bathed the stage in myriad atmospheres – from morning mist to twilight haze. The FINE 4037 WASH PLUS high-power LED wash light, with a wide zoom range from 4° to 60° and smooth, delicate dimming performance, met all lighting needs of the play – from intimate soliloquies to lively ensemble scenes. It also offered flicker-free start-up at low brightness, perfectly matching the gentle charm of Huangmei opera.

The FINE 6010 BATTEN IP bar effect light flexibly outlined the space with a zoom range of 3° to 45°. Its 300 LED beads were arranged in separate segments on each side, with built‑in rich color macros and effect macros, injecting a lively visual rhythm into the transitions of time and space.

On April 9, 2026, the new classical Chinese epic stage play Primitive Ancestor of Humanity, produced by Xi'an Performing Arts Group · Xi'an Drama Theater, continued its trial performance at Xi'an New City Theater. Using contemporary theatrical aesthetics to trace the origins of civilization, the production awakened echoes of a thousand years.

Set against the backdrop of tribal conflicts in the late Neolithic period, the play follows the transformation of the Yellow Emperor from responding to aggression with advocacy of harmony, to shifting from conquest to alliance. It profoundly interprets the worldview of "valuing harmony and cooperation," the governing wisdom of "winning people by virtue," and the political ideal of "putting the people first." The drama shows how Chinese civilization gradually moved toward unity amid conflict and integration – establishing rules to stop plunder, inventing writing and tools to promote civilization, blending various tribal totems into the "dragon," and ultimately achieving "all under heaven as one family." This not only revives the spiritual origin of the Chinese nation's diversity in unity but also calls for contemporary values of transcending opposition and moving toward coexistence, conveying the eternal ethical themes of benevolence, integrity, sacrifice, and peace.

The stage design retains the primal power of the ancient era – rough rock textures, the feel of animal hide and linen, the raw tension of tribal totems – while incorporating advanced contemporary stage technology: the flow of light and shadow simulates the cycle of sunrise and sunset; mechanical devices bring the South-pointing Chariot and Kui Drum to life on stage; the sound design even recreates Neolithic ceremonial drumbeats and natural soundscapes. During the performance, FINE ART lighting fixtures, with their exceptional optical performance and stable onstage operation, helped complete the transition from the wild barbarism of tribal warfare to the grand vision of universal harmony.

As the workhorse of the stage, the FINE 1700LH BSWF LED moving head light combines beam, wash, pattern, and framing functions. With Ra and R9 both exceeding 95, its light quality accurately reproduces the rough rock textures and the natural grain of animal hide and linen on stage. Equipped with one rotating gobo wheel, one fixed gobo wheel, a dynamic effect wheel, and a full framing system that can rotate ±90°, it produces sharp, distortion-free cut and framing, vividly outlining the primal tension of the totems.

The FINE 608 BATTEN moving head bar light features eight 60W RGBW four-in-one LEDs. Within a zoom range of 5° to 50°, at the narrowest angle the beam is full without crossover, outlining the solemn lines of the Kui Drum in sacrificial scenes; at wide angles, color mixing is excellent, delicately simulating the natural flow of light from sunrise and sunset to raging flames of war.

At the forefront of the stage, the FINE 150 FT color professional footlight sculpts the characters with delicate brushstrokes. Its R, G, B, L four-color mixing system produces white light with color temperatures from 2500K to 10000K, with Ra and R9 both above 90. With soft and even coverage, it washes the faces of every "common person." As the totems on stage are forged into the dragon through light and shadow, FINE ART uses light as a brush – not only illuminating the inventions of the Yellow Emperor era but also reflecting the national root of diversity in unity, coexistence and shared prosperity.

On the eve of the 2026 Chinese New Year, the China Media Group Spring Festival Gala, themed "Galloping into the Future with Unstoppable Momentum," delivered a heartwarming cultural feast of reunion for global Chinese audiences.

On a frigid winter night, the inaugural public performance of "Loyal Souls of Lu'an" — a major stage production supported by the 2025 National Arts Fund and presented by the Tianjin Peking Opera Theatre — stirred profound emotions, moving the audience to tears.

On the evening of January 28th, the Gansu Yellow River Theater was filled to capacity, with applause and tears interweaving. The grand premiere of the large-scale original stage play "Green Awancang" – a project supported by both the 2026 National Arts Fund and the Gansu Provincial Arts Fund – was held here. It successfully presented the touching story of Comrade Wang Wanqing, an outstanding Communist Party member recognized as a "Touching China" figure in 2010 for dedicating 56 years to healing the sick on the grassland of Gannan, to a broad audience through vivid stage art.

The play "Green Awancang" is based on Comrade Wang Wanqing, artistically shaping the character "Fang Yuan," a graduate of Shanghai Medical College. Driven by the youthful ideal of "going where the motherland needs him most," he resolutely journeys to the Awancang grassland in Maqu County, Gannan, with an average altitude of 3,500 meters. On stage, the creative team, through masterful artistry, vividly recreates the protagonist's struggle: working in harsh conditions with scarce medicine, severe climate, and language barriers; using a tent as a clinic and a horse as a medicine chest; braving wind and snow to reach remote pastoral areas; overcoming numerous difficulties; and dedicating his life's work to the grassland's healthcare and the people of all ethnic groups. Fifty-six years of quiet perseverance are not just a personal epic of dedication but also a profound tribute to the fraternal bond and mutual support between Han and Tibetan compatriots.

On the night of the performance, the charm of stage art and the power of the role model's spirit illuminated each other. Skillful transitions between vast, majestic grassland imagery and meticulously detailed life scenes instantly transported the audience to that vibrant land. The portrayal of "Fang Yuan" by actor Zhu Heng, from a young student to a silver-haired healer, captured the span of a lifetime and the layered depth of his inner world with remarkable precision, profoundly interpreting the power of faith and the weight of perseverance. The sincerity and kindness of the Tibetan compatriots, the resilience and optimism of the grassland people, and the profound, blood-is-thicker-than-water bonds between doctor and patient and among ethnic groups struck a deep chord through the actors' heartfelt and full-bodied performances. As the final curtain fell, many in the audience were moved to tears, lingering long after the show ended.

The professional lighting by Guangzhou CAIYI Technology Co., Ltd. played a fundamental role in constructing the visual journey from the boundless grasslands to the inner universe. The FINE 1700LH BSWF hybrid moving head, with its excellent color rendering (Ra >95, R9 >95), ensured that every blade of grass on the meadow, the rich colors of Tibetan robes, and even the fine wrinkles and glimmers on the healer's face were presented with incredibly realistic texture, making the portrayal of the role model both credible and respectable.

The FINE 550 BSW PLUS triple-hybrid fixture, with its robust beam (output lens Ø169mm) and rich CMY+CTO color system, effortlessly handled the transitions: from the bright vitality of the Shanghai campus, to the cold severity of a grassland snowstorm night, and finally to the warm hues of the human glow inside the tent clinic. The FINE 4037 WASH PLUS moving wash light, with its smooth,and jitter-free precision dimming, allowed light and shadow to ebb and flow like breathing in sync with the performance's rhythm, perfectly meeting the stage play's demanding requirements for emotional expression through lighting.

Ultimately, as the light of a lifelong commitment shone in the final scene, all the visual vocabulary of light converged into an emotional torrent, reaching directly into the hearts of the audience. With its stable and expressive interplay of light and shadow, Guangzhou CAIYI Technology Co., Ltd. allowed the youthful vow to "go where the motherland needs us most" and the transcendent medical compassion that bridges ethnicities to resonate powerfully and enduringly on stage.

On the evening of January 27, the large-scale Hanzhou opera "Twin Theater Towers," which condenses a century of trade history between Qin and Chu and bears witness to profound patriotism, premiered magnificently at the Shanyang County Cultural Palace in Shangluo City.

"Twin Theater Towers" is an original Hanzhou opera production that deeply showcases the regional cultural characteristics of Shanyang and inherits the rich historical heritage of Manchuan Pass. As a vivid testament to the integration of Qin and Chu cultures, the twin theaters with their grey bricks and black tiles depicted in the opera not only witness the exchanges between Qin and Chu merchants but also symbolize the rise and fall of families and the nation over a century. They stand as the perfect embodiment of "Harmony as the Most Precious" spirit. The rich, mellow melodies of Hanzhou opera sing of personal affections and national righteousness in turbulent times, unfolding the commercial rivalry and cooperation between Qin and Chu merchants along the ancient Silk Road, as well as the patriotic sentiments and fearless sacrifice demonstrated in times of crisis.

During the live performance, the actors, with their solid vocal skills and nuanced acting, vividly portrayed the joys and sorrows of their characters. The audience held their breath, their emotions rising and falling with the plot, completely immersed in the unique charm of Hanzhou opera. The show was not merely a feast for the eyes and ears but also a profound spiritual journey.

The professional lighting by Guangzhou CAIYI Technology Co., Ltd. empowered the Hanzhou opera "Twin Theater Towers" to recreate a century of history on stage. To accurately reproduce the historical texture of the grey bricks and black tiles and the exquisite embroidery of the costumes, the FINE 1700LH BSWF and FINE 1400LH BSWF hybrid moving heads, with their high color rendering index (Ra>95, R9>90), brought authentic vitality to every detail. The patented cooling system of the fixtures ensured low-noise operation, allowing the resonant singing to fill the theater uninterrupted.

The FINE 1400 WASH PERF, with its soft light beam and high efficiency, utilized its ample 47,000-lumen luminous flux to magnificently render the grandeur of the ancient trade routes and delicately set the scene for intimate dialogues under moonlight. Meanwhile, the FINE 600 BSW II, equipped with a rich color system including CMY+CTO, a color wheel, 13 color filters, and white light, achieved seamless transitions between the cold, stern shadows of commercial rivalry and the warm, inner light of human emotions.

As the narrative reached its climax, highlighting themes of national righteousness and supreme sacrifice, the hundreds of built-in effect macros in the FINE 608 BATTEN batten lights created dazzling, dynamic lighting effects. These visuals transformed the core message of "Harmony as the Most Precious" and the solemn sentiment of sacrifice into a visually striking crescendo, ultimately allowing this timeless story of "Harmony and Unity" to reach its fulfillment through the interplay of light and shadow.